Van Gogh's Vincent Bedroom in Arles
Vincent's Bedroom in Arles | Van Gogh | 1888 | Small 24" X 20"
Vincent's Bedroom in Arles | Van Gogh | 1888 | Small 24" X 20"
Vincent's Bedroom in Arles | Van Gogh | 1888 | Small 24" X 20"
Vincent's Bedroom in Arles | Van Gogh | 1888 | Small 24" X 20"
walldecoarts

Vincent's Bedroom in Arles | Van Gogh | 1888 | Small 24" X 20"

Regular price $360.00 $0.00 Unit price per

*Your order will be shipped only Oil Painting on Canvas rolled in a safe round Mail TubePlease be noted it is not coming with frame.
** Item will be delivered to the shipping address in 3 weeks since hand-painted ordered item needs to be completed for 2 weeks. Please be advised this turnaround schedule!!

How you get the Hand-Drawn Painting 
-From order to deliver

✔️ Order Placed

✔️ Reproduction Artist drawing and Finishing

✔️ Clean-Up the painting

✔️ Cover the painting with Safe Film

✔️ Roll the painting with the safe file

✔️Pack the roll of the painting into the Mailing Tube

✔️Shipping

Your order is hand-painted on canvas artwork , not a printed. it is wrapped in a film to prevent damage to the painting and placed in a round mail tube. We ship this tube to you. So, you will receive a hand-painted painting in the canvas that is unlikely to be damaged. Of course, the work of art will be nearly identical to the original masterpiece.
Once you receive the paintings, you go to a nearby picture frame shop, make a picture frame that matches the atmosphere of the interior and hang it on the wall, and you will have a work that can be passed down from generation to generation.



Gogh's Masterpiece
which reproduced with oil painting on high-quality canvas.
An experienced artist has invested more than two weeks of time to recreate this artwork by Van Gogh that will adorn your home or office.

Background : While he was in Arles, Van Gogh made this painting of his bedroom in the Yellow House. He prepared the room himself with simple furniture and with his own work on the wall. The bright colours were meant to express absolute ‘repose’ or ‘sleep’. Research shows that the strongly contrasting colours we see in the work today are the result of discolouration over the years. The walls and doors, for instance, were originally purple rather than blue. The apparently odd angle of the rear wall, meanwhile, is not a mistake on Van Gogh’s part – the corner really was skewed. The rules of perspective seem not to have been accurately applied throughout the painting, but this was a deliberate choice. Vincent told Theo in a letter that he had deliberately ‘flattened’ the interior and left out the shadows so that his picture would resemble a Japanese print. Van Gogh was very pleased with the painting: ‘When I saw my canvases again after my illness, what seemed to me the best was the bedroom.’


Vincent van Gogh  : 
Vincent Willem van Gogh (Dutch: [ˈvɪnsɛnt ˈʋɪləm vɑn ˈɣɔx] ( listen); 30 March 1853 – 29 July 1890) was a Dutch Post-Impressionist painter who is among the most famous and influential figures in the history of Western art. In just over a decade he created about 2,100 artworks, including around 860 oil paintings, most of them in the last two years of his life. They include landscapes, still lifes, portraits and self-portraits, and are characterised by bold colours and dramatic, impulsive and expressive brushwork that contributed to the foundations of modern art. His suicide at 37 followed years of mental illness and poverty.

Born into an upper-middle-class family, Van Gogh drew as a child and was serious, quiet and thoughtful. As a young man he worked as an art dealer, often travelling, but became depressed after he was transferred to London. He turned to religion, and spent time as a Protestant missionary in southern Belgium. He drifted in ill health and solitude before taking up painting in 1881, having moved back home with his parents. His younger brother Theo supported him financially, and the two kept up a long correspondence by letter. His early works, mostly still lifes and depictions of peasant labourers, contain few signs of the vivid colour that distinguished his later work. In 1886, he moved to Paris, where he met members of the avant-garde, including Émile Bernard and Paul Gauguin, who were reacting against the Impressionist sensibility. As his work developed he created a new approach to still lifes and local landscapes. His paintings grew brighter in colour as he developed a style that became fully realised during his stay in Arles in the south of France in 1888. During this period he broadened his subject matter to include series of olive trees, wheat fields and sunflowers.